CV

Curriculum vitae - Charlie Tweed


Education

  • 1993-94 Chelsea College of Art, Foundation Fine Art

  • 1994-97 Oxford Brookes University, BA Hons Fine Art

  • 1997-98 Oxford Brookes University, MA Electronic Media

  • 2006 - 08 Goldsmiths College, MFA Art Practice

  • 2011 - 2018 Kingston University, PHD Fine Art by Practice (AHRC Studentship)

Research and academic positions

  • 2024 Subject Leader, Art, BSU

  • 2022-2024 Postgraduate Coordinator, Art, BSU

  • 2015-present - Senior Lecturer, BSU

  • 2011-2018 AHRC Funded PhD Researcher in Fine Art, Kingston University

  • 2015-present Leader of the Art and Technology Research Group, BSU

  • 2018-2021 Co-Editor, The International Journal of Creative Media Research

  • 2020-22-Peer reviewer, The Journal of Visual Art Practice

  • 2019-20 EarthArt Industrial Research Fellow, Earth Sciences, Bristol University

  • 2004-2012 Co-Director and Curator, Alma Enterprises Gallery, London 

Fellowships, awards and residencies 

  • 2019-20 Earth Sciences, Bristol University Industrial Fellowship Grant

  • 2019-20 QR Research Funding Grant, Bath Spa University

  • 2014-16 Wellcome Trust Large Arts Award

  • 2011-18 AHRC PHD Studentship, Kingston University

  • 2011 and 2005 Grizedale Arts Residency, programme

  • 2010 Winner of Emergency, Aspex, Gallery, Portsmouth

  • 2009 Winner of ECO, Exeter Phoenix Arts Centre

  • 2008 Winner of the Galerie Klatova Prize, Czech Republic

  • 2008 Sommerakademie, Fellowship – dragged down into lowercase, Paul Klee Centre, Bern, Switzerland (Curated by Clementine Deliss and Oscar Tuazon)

  • 2008 Whitstable Biennale, New Performance Commission 

  • 2007 AGORA, PACT, Essen, Germany (exhibition and residency)

Conferences:

  • 2024 Doing Together II, Creative Practice Symposium, BSU

  • 2023 Fiction Machines IV, BSU

  • 2023 Doing Together, Creative Practice Symposium, BSU

  • 2019 Nordic Geographers Meeting, Trondheim University, Norway

  • 2019 Digital Ecologies II: Fiction Machines, BSU (organiser)

  • 2017 Digital Ecologies I: Digital Ecologies and the Anthropocene, BSU (organiser)

  • 2016 Silent Signal Conference, University of Dundee, presented paper

  • 2016 Warm Bodies, Cold Machines, Dusseldorf, presented film

  • 2016 STRATA Conference, Aberystwyth University, presented paper

  • 2013 Geologies of Value and Vestige Conference, Kingston University (organiser)

  • 2013 Transwhat Symposium, Supermarket, Berlin

  • 2012 Space and Place, Mansfield College

Recent Exhibitions

Solo Exhibitions:

  • 2020 Notes from the subsurface, EarthArt Gallery, Earth Sciences, Bristol University

  • 2017  Soon we will become output, Stanley Picker Gallery, London

  • 2013  I am Algorithm, Aspex, Portsmouth

  • 2013  I am Algorithm, Exeter Phoenix, Exeter

  • 2011 Notes I,II & III, Alma Enterprises, London

  • 2011 New methods of diversification and sustainability, Grizedale Arts, Cumbria

  • 2010 Notes I,II & III, Spike Island, Bristol

 Selected Group Exhibitions, screenings, symposia and performances

  • 2024 Antimatter Media Art Festival, Canada [Official Selection]

  • 2024 Labocine, The Signal and the Noise [featured in December issue]

  • 2024 Video Medaja, Serbia [Official Selection]

  • 2024 Arte Scienza Festival, Goethe Institute, Rome (screening selected by MA/In curators)

  • 2024 Braziers Film Festival, Braziers Park, Oxfordshire (Official Selection)

  • 2023 Fiction Machines IV, Bath School of Art, (screening and symposium)

  • 2023 Video Art Miden, Rethinking Gaia Festival (screening)

  • 2022 Under_The_Radar_Festival for artist’s film & experimental media, Austria.

  • 2022 Art Practice Based Research Series: Session 5 – Guest Speaker

  • 2022 Imagining Tomorrow Today: Examining the promise of Art/Technology/Science collaboration, Reading School of Art (screening and performance lecture)

  • 2022 On Art Poland Film Festival (Official Selection), Warsaw, Poland.

  • 2022 Bird Call, Freyberger Gallery, Penn State University, USA. (group exhibition)

  • 2021 Art Museums and Digital Cultures Conference, MAAT, Lisbon (presented paper)

  • 2021 New sound work presented on Spike Island FM

  • 2021 Fiction Machines – Part III (online symposium event)

  • 2021 Film Screening and Performance: Charlie Tweed Notes From The Subsurface, Spike Island, Bristol.

  • 2020 Visions in the Nunnery, Nunnery Gallery, London

  • 2020 Strangelove Film Festival, (Official Selection)

  • 2020 Labocine Magazine Spotlight: Charlie Tweed: Humans, nature and control

  • 2020 Emotional Interfaces screening and performance event, La Machine Du Moulin Rouge, Paris.

  • 2019 Rencontres Internationale Paris/Berlin, Pompidou Centre, Paris and HKW Berlin (official selection)

  • 2019 Emotional Interfaces online exhibition, Wrong Media Art Biennale (official selection)

  • 2019 Black Box, Biomedicine West Wing Foyer, Times Square, Newcastle

  • 2019 0.1%, Navel Gallery, Los Angeles, USA (sci/art group exhibition)

  • 2019 Aesthetica Short Film Festival, UK (official selection)

  • 2018 Infinite Multiple Commission, Infinite Multiple, London.

  • 2018 Visions in the Nunnery, Nunnery Gallery, London (group exhibition)

  • 2018 TBCTV, Somerset House, London (group exhibition)

  • 2018 Screenworks showcase, Cube, Bristol (event/curator)

  • 2018 Altered States, Crypt, London (group exhibition)

  • 2018 Kew gardens Film Festival, Queens Museum, NYC (official selection)

  • 2017 WRO Media Art Biennale, WRO Center, Poland (official selection)

  • 2017 VAEFF, Tribeca Film Centre, NYC (official selection)

  • 2017 NYC Independent Film Festival, New York (official selection)

  • 2016 NeON Digital Arts Festival, Dundee (official selection) 

  • 2016 Selected 6 (curated by Videoclub), touring to Whitechapel Gallery, Watershed, Plymouth Arts Centre, CCA Glasgow)

  • 2016 Both Sides Now 3: Screenings in East Asia (curated by videoclub)

  • 2016 Silent Signal, Wellcome Trust Commission produced by Animate Projects touring to: Quad, Derby; Vivid, Birmingham; Lifespace, Dundee; Oberhausen Short Film Festival.

  • 2015 The Signal and the rock, Performance Lecture, CAFA, Beijing

  • 2015 Film Open (selected by Steven Cairns ICA) touring to: ICA, London; Spike Island, Bristol; Transmission, Glasgow; Eastside Projects, Birmingham; Castlefield, Manchester

  • 2015 We are publication, ICA, London (group exhibition)

  • 2015 Limbo Associates show selected by Adam Chodzko, Margate. (group exhibition)

  • 2013 SUB 12, Substation, Melbourne (group exhibition)

  • 2013 News from the sun, Exeter Phoenix Arts Centre, Exeter (group exhibition)

  • 2012 London Open, Whitechapel Gallery, London (group exhibition)

  • 2012 Grain (newly commissioned performance), Whitechapel Gallery, London

  • 2012 Cultivation Field, The Keep, Reading (group exhibition)

  • 2011 Videoholica 2011, Varna, Bulgaria (official selection)

  • 2011 They Came from Earth, Hackney Wicked Festival (curated by Pil and Galia Kollectiv)

  • 2011 Experimentica, Chapter, Cardiff (group exhibition)

  • 2011 Box Season 5, Aberystwyth Arts Centre, Wales (group exhibition)

  • 2010 Who Wants to Act Now, or Even See Acting, DEPO, Istanbul (group exhibition)

  • 2010 Multichannel: Variable economies, Artsway, Sway, UK (group exhibition)

  • 2010 MAB Film Exercise, Arnolfini, Bristol, UK (group exhibition)

  • 2010 MODIFICATIONS, Aarhus Centre for Contemporary Art, Aarhus, Denmark (group exhibition)

  • 2009 Time is a sausage, Domobaal, London, UK (group exhibition)

  • 2009 So much more, MeetFactory, Prague, Czech Republic (group exhibition)

  • 2009 Started, Galerie Klatovy / Klenová - Czech Republic (group exhibition)

  • 2008 dragged down into lowercase, Paul Klee Centre, Bern (group exhibition)

  • 2008 100 Years, 100 Artists, 100 Works of Art, TFL Platform for Art, A Foundation, Rochelle School, London (October 2008) Newly commissioned poster that was also positioned at various London Underground stations.

  • 2008 Start Point 2008 (European Academies Award), Galerie Klatovy / Klenová, Czech Republic (group exhibition)

  • 2007 Bloomberg New Contemporaries, Rochelle School London and Cornerhouse, Manchester. (group exhibition)

Invited Talks and Keynotes

  • 2020 Notes on the Subsurface, Performance lecture, Bristol University

  • 2019, Artist’s talk, University of West of England (talk and tutorials), (BA Fine Art) 

  • 2018 Artist’s talk, University of West of England (talk and tutorials) (BA Fine Art)

  • 2017 Artist’s talk, University of South Wales (BA Photo Art)

  • 2016 Artist’s talk,, Lifespace, Dundee

  • 2014 ‘Art in the City Talks: Charlie Tweed’, Arnolfini, Bristol (talk and performance)

  • 2013 ‘Charlie Tweed and Tony David Sampson’, Aspex, Portsmouth (talk/event)

  • 2013 Artist’s talk/performance, Exeter Phoenix Gallery, Exeter.

  • 2013 Artist’s talk, Plymouth University, Fine Art.

  • 2012 Artist’s talk, University of West of England (talk and tutorials), (BA Fine Art) 

  • 2011 ‘Charlie Tweed – Known Unknowns’, Spike Island, Bristol (talk)

  • 2011, Associates reading group (event)

  • 2004-2012 Curator and organiser of talks, performances and events at Alma Enterprises Gallery, London (Bethnal Green and Southwark)


Publications/interviews/artist’s books:

  • 2023 Art in the Age of Ecocide, Bloomsbury Publishing (commissioned chapter)

  • 2023 Swamp Mechanism, Hoax Publication, London (writing)

  • 2022 Art Museums and Digital Cultures Publication, MAAT, Lisbon (chapter)

  • 2022 Notes On The Subsurface, EarthArt Gallery, Bristol (publication)

  • 2020 IJCMR Special Issue: ‘Fiction Machines’, Co-Editor (journal special issue)

  • 2019 Fiction Machines: Oporavak, IJCMR (journal article)

  • 2019 Building Proposals (After Fantastic Architecture), commissioned section (artist’s book).

  • 2018 Screenworks Special Issue: ‘Digital ecologies and the anthropocene’, Co-Editor (journal special issue)

  • 2018 Re-writing the operations of the ‘electronic noosphere’ and its control over populations and environment, (PhD Thesis)

  • 2017 The Signal and the rock Stanley Picker Gallery, (ISBN: 978-1-5272-1783-6) (artist’s book, made in collaboration with Modern Activity)

  • 2013 I am algorithm publication, Exeter Phoenix Arts Centre (artist’s book).

  • 2013 Space and Place commissioned chapter (scholarly book) 

  • 2013 Trans-What, Conference Publication, Berlin. (artist’s book).

  • 2012 London Open Publication, Whitechapel Gallery, London. (catalogue)

  • 2010 Notes I,II & III article on my work by Marie-Anne McQuay for Animate Projects, London (article).

  • 2010 Notes From Here, commissioned by Spike Island, Bristol (ISBN: 978-0956085634) (artist’s book),

  • 2010 Interview with Gary Thomas for Animate Projects Exhibition 2010

  • 2010 Who Wants to Act Now, or Even See Acting Publication (essay on We are the above by Ellen Mara De Wachter for Depo Istanbul.

  • Proof Magazine article and interview with curator Liz Bruchet (article)

  • 2009 Detox, (Catalogue).

  • 2008 Calvert 22, (Catalogue).

  • 2007 Bloomberg New Contemporaries (Catalogue).

  • 2008 dragged down into lowercase Catalogue (Paul Klee Centre, Switzerland) (publication)

  • 2005 Coniston Water Festival Paper, Grizedale Arts, 2005 (artist’s book)

Film and video works

  • Tweed, C (2004) All About The Power [Video]. Alma Enterprises, London..

  • Tweed, C (2006) Lets Start Again [Video]. Galerie Der Stadt, Schwaz.

  • Tweed, C (2008) Man From Below TV [Video]. Bloomberg New Contemporaries.

  • Tweed, C (2009-10) Man From Below TV 2 & 3 [Video].

  • Tweed, C (2010) Notes I, II & III [Video]. Bristol, Spike Island.

  • Tweed, C (2011) Grain [Video].Aberystwyth, Aberystwyth Arts Centre.

  • Tweed, C (2012) Archimeters [Video]. London, Whitechapel Gallery.

  • Tweed, C (2013) Codec [Video]. Portsmouth, Aspex Gallery.

  • Tweed, C (2013) The Meadow [Video]. Portsmouth, Aspex Gallery.

  • Tweed, C (2013) The Tricorn [Video]. Portsmouth, Aspex Gallery.

  • Tweed, C (2014) The Signal and the rock: proposal for a film [Performance Lecture]. Bristol, Arnolfini & Central Academy of Fine Art, Beijing.

  • Tweed, C (2016) The Signal and the noise [Video]. Derby, Quad.

  • Tweed, C (2017) _s.o.f [Video]. Kingston, Stanley Picker Gallery.

  • Tweed, C (2016) Oporavak [Video]. Dundee, NeON Digital Arts Festival & WRO Media Art Biennale, Poland and Rencontres Internationale, HKW Berlin.

  • Tweed, C (2017) Re-writing the overcode [Video and sound installation]. Kingston, Stanley Picker Gallery

  • Tweed, C (2019) Implex [Video]. Aesthetica Short Film Festival.

  • Tweed, C (2020) Notes from the Subsurface [Video]. EarthArt Gallery, Bristol

  • Tweed, C (2020) Notes On the Subsurface [Performance]. Wills Memorial Building, Bristol & Spike Island Open.

  • Tweed, C (2021) How Can We Escape [Video]. Video Art, Miden.

  • Tweed, C (2022) Znovu Navštívit (Re-visit) [Video]. On Art Poland, Film Festival, Warsaw.

  • Tweed, C [2022] Mutterspace [Video].

  • Tweed, C [2023] Pit Manifesto [Video]. Fiction Machines IV, Bath Spa University. (Symposium)

  • Tweed, C [2023] Hallucigenai [Video]. On Art Poland, Film Festival, Poland.

  • Tweed, C [2024] Umwelt/4470 - Part 1 [Video]. Arte Scienza Film Festival, Goethe Institute, Rome and Braziers International Film Festival (official selection 2024)

 REF 2021 Multi-piece Portfolio outputs

·   Tweed, C (2014-19) ‘The Signal and the Noise’.

·   Tweed, C (2015-19) ‘Re-writing the Machinic Anthropocene’.

·   Tweed, C (2017-20) ‘Fiction Machines’.